This fourth book of prose poems is a collection of collaged visual images—some randomly recollected—others noted down as I’ve apprehended them. Woven through the visual images are descriptions of sensation/perception that arise with the memory of place. About the three parts of the collection: ‘Together/Apart’ is specifically a subjective excavation of relationships; ‘Postcards’ speaks to a lifelong attachment to correspondence and its directness; and ‘Place’ is about situations/places that I’ve invented or re-imagined. 2015 | 80 pages
Praise for Steve Clorfeine's work: "I found myself carried by his words...often an unremarkable or extravagantly beautiful list of things and events was made brilliant by the attention paid to their existence."
—Parabola: Myth, Tradition and the Search for Meaning"Clorfeine's day to day experiences read like a series of prose haikus...there is a clarity in his writing...a habit of seeing the ordinary and the extraordinary, the marvelous in the mundane..."
2006 | 90 pages
22 Poems This collection of poems was written between 2004 and 2009. Working with various partners Steve Clorfeine developed a form, “moving and writing,” in which one person moves with eyes closed and the other witnesses the movement, after which both write, “free writing” style. Witnessed moving with eyes closed is based on a form called Authentic Movement, pioneered by Mary Starks Whitehouse and later by Janet Adler. They brought to a generation of dancers, educators, and therapists an improvised mindfulness-awareness practice, which Whitehouse called “movement in depth...moving and being moved.” What is revealed when the activity of imagining is primary, when the less visible or invisible becomes visible, when the substance of shapes, sounds, images, stories surfaces, mingles, and compounds and we are drawn deeper into the unknown and directed to mysteries?
2010 | 68 pages